Secret life lyrics lana del rey
“Hey, I’m here, but I’m not/ Just like you, I can’t leave,” sings Antonoff in a reference to his mother and late sister, driving home his attachment to the past that lingers throughout the album. “91” is a painting of Antonoff’s childhood trauma co-written by poet Zadie Smith, chronicling the anxieties and confusion he felt growing up: having no control over his life and who he was on the path to becoming. This is mostly made evident through his reminiscing lyrics, projected frustration and melodic synth breakdowns that happen to strike a tender chord within listeners. With every song on Take the Sadness Out of Saturday Night, he strives to leave the past behind and start a new chapter in his life.
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Released July 30, the album melds the feeling of ‘80s lovelorn pining with the pressing need to break free from the chains of past relationships - both platonic and romantic.Īntonoff follows the age-old path of turning his pain into good music as well as turning over a new leaf. While considerable buzz for his other notable projects may threaten to overshadow his solo endeavors, Take the Sadness Out of Saturday Night, Bleachers’ third album, proves itself yet another one of Antonoff’s works that shouldn’t be glossed over.
Vincent, Taylor Swift and Lorde, Antonoff seems to specialize in crafting catchy-yet-meaningful pop hooks and retrospective lyricism, a calling card he’s left on a number of hit releases, including many of his own. Bleachers’ frontman and record producer Jack Antonoff is well acquainted with what makes a good album tick.